Thursday, November 24, 2011

Congress is in the process of figuring next year's agriculture budget, and the food industry is using the occasion as an opportunity to bully the USDA as it rolls out new rules for the National School Lunch Program. According to the New York Times, Big Food has already dropped a cool $5.6 million lobbying to kibosh the new rules.

Why does the industry care about school lunches? Because school cafeterias get less than a dollar a day per student in federal funding to spend on ingredients (about two-thirds of the maximum $2.94 outlay per lunch goes to overhead and labor), and many public schools lack cooking facilities altogether. So cafeterias often outsource cooking to massive entities that know how to squeeze a profit by selling lots of dirt-cheap food—companies like meat giant Tyson and its infamous heat-and-serve "Dinosaur Shaped Chicken Nuggets," and Conagra and its frozen pizzas.

In January, the USDA came out with new guidelines governing what can go on kids' plates. Mandated by a 2004 act of Congress ordering USDA to align school lunches with the Dietary Guidelines for Americans, the rules (PDF) impose two new criteria that have drawn the ire of the food industry.

First, they rewrote the requirements around vegetable and fruit servings. Before, cafeterias were required to serve at least one vegetable per day, and the definition was expansive: Tater Tots and French fries, for example, counted. Now, they limit the amount of potatoes and other "starchy vegetables" to no more than one cup (two servings) per week—and require schools to serve at least one serving per week of dark green and red/orange vegetables. Second, they no longer allow the two ounces of tomato paste that lacquer a typical frozen pizza to count as a vegetable.

To Big Food and its friends on the Hill, none of this would do. Back in October, by a unanimous vote, the Senate slapped an amendment on its ag appropriations bill that will rescind the limit on potatoes. This, despite a major recent Harvard study finding that regular consumption of potatoes in all their forms, fried and not, contributes heavily to unhealthy weight gain.

And now, reports Politico's David Rogers, Conagra and fellow frozen-pizza behemoth Schwan are arraying their lobbying might against the new tomato-paste rule. Rogers writes:

A June letter from Sen. Amy Klobuchar (D-Minn.) to Agriculture Secretary Tom Vilsack, for example, celebrates the virtues of tomato paste in language that closely mirrors the arguments made by Schwan, a privately owned giant based in Marshall, Minn. And both Schwan and ConAgra have quietly helped to finance the "Coalition for Sustainable School Meals Programs" which maintains a red-white-blue—and yes green—website with the heading "Fix the Reg."

According to Rogers, the House version of the ag-spending bill will likely contain a provision nixing the rule change, and preserving frozen pepperoni pizza's status as a fruit/vegetable serving, so long as it harbors a bit of tomato paste. Between the Senate's amendemnt and this coming move from the House, school cafeterias will remain profitable places to move cheap corporate French fries and pizza, and train a new generation to regard such dubious fare as every-day food.

In my recent post on food and Occupy Wall Street, I showed how the food system, like the financial system, is both in desperate need of reform and utterly trapped under the heel of industry influence. The gutting of the USDA's new lunch guidelines provides yet another example.

UPDATE: I wrote this post before the House came out with its spending bill late Monday afternoon. It turns out, it's even worse than I thought. Associated Press:

The final version of a spending bill released late Monday would unravel school lunch standards the Agriculture Department proposed earlier this year, which included limiting the use of potatoes on the lunch line and delaying limits on sodium and delaying a requirement to boost whole grains.

The bill also would allow tomato paste on pizzas to be counted as a vegetable, as it is now. USDA had wanted to prevent that.

Wednesday, November 23, 2011



Mumbai: Penthouse beauty Sunny Leone has in a short period of time occupied the centrestage in Bigg Boss` house.

In the episode telecasted on Wednesday, the California-based Indian girl appeared to be moving closer and closer to Sky`s camp, especially very close to Sky.

As part of a new task, Bigg Boss divided the housemates into two teams - one headed by Sky and other by Siddharth. Apart from the predictable inclusion of Pooja Bedi, Sky`s team comprised of Shraddha and Sunny Leone; Siddharth was left with Pooja Mishra, Shonali and Mehek.

Two members from each team, Pooja Bedi and Sunny from Sky`s side and Pooja Mishra and Mehek from Siddharth`s team jumped into the pool in swim suits in search of keys (the task was to collect a particular type of keys).

Sky`s team won and was rewarded by way of a shahi dinner arranged by Bigg Boss.

Apparently taking into account the hype around `porn star` Sunny Leone, Bigg Boss also set up a new task for her.
She would have to dance to a particular Bollywood number for the amusement of her housemates daily before bedtime and adding to the spice, was Pooja Mishra`s appointment as her aide in preparing for the show.

Day 1, she was given the raunchy number `Babuji zara dheere chalo...` to perform on. What made her performance more interesting was her costume - an ill fitting salwar kurta!!!And the moment she started to dance, the three guys in the house Amar, Sky and Siddharth were all over the floor trying to match up to her, beat by beat.

Sky even went to the extent of adopting the `all on four` posture which prompted Sunny Leone to sit on his back even as she continued with seductive body movements.

Here`s waiting for Sunny`s next `performance`....

Monday, November 21, 2011

occupy wall street

Today's "Day of Action," planned by the Occupy Wall Street movement, culminated at Foley Square near City Hall in New York. In some ways, it felt rather low key, because the space felt wide open and despite a sizable crowd that overflowed onto the streets and nearby sidewalks, the protest felt organized. That certainly wasn't the case for the earlier events: It was an expansive day that started with a chaotic and contested march to block the main arteries of Wall Street and wound its away across the streets and sidewalks of lower Manhattan to the edge of New York University three miles north.

The gathering at Foley Square also marked the end of a dramatic week, which opened on Tuesday with a predawn raid in which New York Police and sanitation workers tore down the tent city the protesters had built at Zuccotti Park.

Read more on Occupy Wall Street : NPR

nathalie wood

An investigation into the death of Natalie Wood has been reopened after “additional information” was presented to the Los Angeles Sheriff’s Department, the Associated Press reports.

The Oscar-nominated actress drowned 30 years ago this month after spending the day on Catalina Island and a yacht with husband Robert Wagner and her “Brainstorm” co-star, Christopher Walken.

Wood, best known for her roles in “West Side Story,” “Rebel Without a Cause” and “Splendor in the Grass,” had been drinking on the day of her death, which was officially ruled an accident. The circumstances surrounding that day have been considered a mystery.

A detective from the Los Angeles Sheriff’s Department will speak to the press Friday about why the case has been reopened, according to the AP. “Recently Sheriff’s Homicide Investigators were contacted by persons who stated they had additional information about the Natalie Wood Wagner drowning,” the department said in a statement

TMZ reports the reason for the reinvestigation might be the 2009 book, “Goodbye Natalie, Goodbye Splendour,” written by Marti Rulli with the boat’s captain, Dennis Davern. The book suggests foul play, according to TMZ.

Wagner and Wood’s sister, Lana Wood, have both denied this in the past.

In an interview with “Today,” Davern said he “did lie on a [police] report several years ago.” He told David Gregory he thought Wagner intentionally kept the case low profile. When asked if he thought Wagner was “responsible” for Wood’s death, Davern responded, “Yes, I would say so.”

“We didn't take any steps to see if we could locate her,” Davern said. “I think it was a matter of, 'We're not going to look too hard, we're not going to turn on the searchlight, we're not going to notify anybody right now.’ ”

The Wagner family said in a statement, “Although no one in the Wagner family has heard from the LA County Sheriff’s department about this matter, they fully support the efforts of the LA County Sheriff’s Dept. and trust they will evaluate whether any new information relating to the death of Natalie Wood Wagner is valid, and that it comes from a credible source or sources other than those simply trying to profit from the 30 year anniversary of her tragic death.”

twilight, breaking dawn

The Twilight movies have devoted three episodes to Bella Swan's clinging to her virginity despite the compelling appeal of Edward Cullen, the vampire. Now comes "The Twilight Saga: Breaking Dawn - Part 1," in which you have to give her credit: She holds out until after her wedding. Then she and Edward fly to Brazil and a luxurious honeymoon hideaway on the beach, where the morning after her wedding night she is black and blue with bruises, the frame of the bed is broken, all of the furniture is tossed around and the draperies are shredded. Good gravy! What happened?

We have no idea. The movie doesn't show us! Yes, the most eagerly awaited deflowering in recent movie history takes place entirely off-screen. That something momentous took place is indicated 14 days after the wedding ceremony, when Bella (Kristen Stewart) urps in the morning and discovers she is pregnant. Edward Cullen (Robert Pattinson) may have been dead for more than a century, but he's still producing industrial-strength sperm. Can humans and vampires mate? What's the blood chemistry on that? What will be in the wee one's bottle? Milk, or the unthinkable?

Despite these scientific conundrums, "Breaking Dawn - Part 1" is absorbing, if somewhat slow-paced, and has without doubt the most blood-curdling scene of live childbirth in a PG-13 movie. Probably the sight of Bella and Edward demolishing the bedroom would have tipped it over into R territory.

The first half is slow and dreamy, as wedding preparations get underway. If you recall the lore from the earlier films, you'll know that marriage to Edward means Bella must become a vampire herself, which any groupie who has slept with Gene Simmons will understand. It's a lovely wedding, with blossom-laden trees framing a lakeside altar. Bella's father Charlie (Billy Burke) is not entirely happy; his toast includes genial mention that should harm befall Bella he has a gun and knows how to use it. But he puts on a brave face while propelling Bella down the aisle. Edward awaits her, looking in pain as usual.

We get shots of the smiling guests. Many are familiar from the previous movies, but others on both sides of the aisle are new to us. They fascinated me. What were they thinking? How many knew Bella was marrying a vampire? Were they cool with that? Did anyone wonder why Edward apparently possessed not a single relative older than himself?

Back again is Bella's best friend Jacob Black (Taylor Lautner), who you recall is now a shape-shifter who turns into a wolf. Enraged by Bella's pregnancy, he summons his pack. The wolves, it must be said, are underwhelming as a pack. They become huge ferocious beasts with sharp fangs, and hurtle at top speed through the forest, and… well, that's about it. They're always hurtling somewhere. Hurtle, hurtle.

Given that he had nine months to prepare for the big event, I can't say Edward trained himself carefully for the home delivery. The sum of his medical training seems to have been a viewing of "Pulp Fiction" in which he learned about a real big needle you can plunge into someone's chest with great results.

Kristen Stewart is really pretty good here, although like almost all actresses she believes pregnant women rub their baby bumps unceasingly. I would have liked more scenes developing her thoughts about married life. Although the possibility of an abortion is hinted at, we never learn her thinking on this question: Does a vampire baby have a soul? Does it have a right to life although, technically, it's half dead? Luckily, we must wait only until Nov. 16, 2012, when "The Twilight Saga: Breaking Dawn - Part 2" will open. It had better have the answers. If it doesn't, Charlie Swan has a gun and he knows how to use it.

Read more on The Twilight Saga: Breaking Dawn - Part 1 :: rogerebert.com :: Reviews

Natalie Wood death probe reopened as ‘additional information’ comes to light; boat captain speaks on ‘Today’ - Celebritology 2.0 - The Washington Post

An investigation into the death of Natalie Wood has been reopened after “additional information” was presented to the Los Angeles Sheriff’s Department, the Associated Press reports.

The Oscar-nominated actress drowned 30 years ago this month after spending the day on Catalina Island and a yacht with husband Robert Wagner and her “Brainstorm” co-star, Christopher Walken.

Wood, best known for her roles in “West Side Story,” “Rebel Without a Cause” and “Splendor in the Grass,” had been drinking on the day of her death, which was officially ruled an accident. The circumstances surrounding that day have been considered a mystery.

A detective from the Los Angeles Sheriff’s Department will speak to the press Friday about why the case has been reopened, according to the AP. “Recently Sheriff’s Homicide Investigators were contacted by persons who stated they had additional information about the Natalie Wood Wagner drowning,” the department said in a statement

TMZ reports the reason for the reinvestigation might be the 2009 book, “Goodbye Natalie, Goodbye Splendour,” written by Marti Rulli with the boat’s captain, Dennis Davern. The book suggests foul play, according to TMZ.

Wagner and Wood’s sister, Lana Wood, have both denied this in the past.

In an interview with “Today,” Davern said he “did lie on a [police] report several years ago.” He told David Gregory he thought Wagner intentionally kept the case low profile. When asked if he thought Wagner was “responsible” for Wood’s death, Davern responded, “Yes, I would say so.”

“We didn't take any steps to see if we could locate her,” Davern said. “I think it was a matter of, 'We're not going to look too hard, we're not going to turn on the searchlight, we're not going to notify anybody right now.’ ”

The Wagner family said in a statement, “Although no one in the Wagner family has heard from the LA County Sheriff’s department about this matter, they fully support the efforts of the LA County Sheriff’s Dept. and trust they will evaluate whether any new information relating to the death of Natalie Wood Wagner is valid, and that it comes from a credible source or sources other than those simply trying to profit from the 30 year anniversary of her tragic death.”

Thursday, November 17, 2011

Paris-based post house Film Factory recently finished Relativity Media’s The Immortals. To help bring the visually rich film to fruition, Film Factory senior colorist and postproduction supervisor Lionel Kopp collaborated with the filmmakers to create a unique dailies-to-DI process built around Image Systems’ Nucoda Film Master.

The visual effects-heavy movie, releasing in 2D and 3D, required cutting-edge looks and the right tools to create a strong graphical vision for the story. The Nucoda grading and mastering system gave the company the toolset necessary to achieve the surreal look, and streamlined the workflow, which included over 12 VFX houses around the globe.

From the producers of 300 and director Tarsem Singh, The Immortals is the mythical tale of a power-mad king (played by Mickey Rourke) who assails ancient Greece and threatens to destroy mankind, until a young villager (played by Henry Cavill) rises up against him. The movie was produced in Montreal, and photographed by cinematographer Brendan Galvin.

Film Factory established a workflow that centered around the Nucoda Film Master, which married an on-set process to the final color pass. The Film Master system, which included a SAN and Nucoda Fuse assist station, were installed on set at Mel’s Studios in Montreal. On set, camera dailies from the Panavision Genesis HD camera were sent to the editing room in DNX 175 format with color settings. Those settings were carried through in dailies, with the raw camera data held for future changes and final color. Kopp graded every take from the first day of dailies through completion of the DI, helping to establish a look from the earliest point possible. In dailies, he could adjust the looks with notes from the director or cinematographer, and make ongoing changes to the images. As visual effects came in, they were graded and cut, creating a unified version.

“The Nucoda grading and mastering solution was the hub for everything, which was a powerful home base,” said Kopp. “Dailies settings, visual effects, and the DI were all managed in the Nucoda Film Master.”

Film Factory had made the decision to control the postproduction of the movie in-house. Film Factory’s second colorist Marc Boucrot explained, “A DI, especially one for a huge movie, is usually done in a big postproduction facility, but Film Factory saw value and flexibility in keeping the process in-house. Since most companies don’t have the expertise to build a fully functional and successful DI pipeline, we set out to make it happen. Film Factory built a screening environment and color timing areas right by the production offices. It was a risk, but it was a great success creatively and logistically.”

Kopp added that “our thoughts about how to bring the creative vision of the filmmakers to life was greatly helped by the Nucoda Film Master. It was extremely helpful to be able to start ‘grading’ the film from day one, incorporating color graded visual effects and easily moving elements between set, editorial and DI.”

The Immortals is a 2D and 3D release, but 90% of the feature was shot in 2D. “When we received the conform of the 3D material, we were able to go into the Nucoda and do a final pass of the stereoscopic material,” explained Kopp. “We brought in the senior stereographer from the production to make sure everything was in order for the 3D, and the Nucoda helped make that process flawless.”

“The movie looks incredible; it’s a visual accomplishment, and we are honored to work with Lionel and our talented customers at Film Factory,” said Martin Bennett, MD of media for Image Systems. “We are excited to continue our relationship with them on Mirror Mirror, currently in postproduction, and 10 other films in the pipeline.”

Read more: Film Factory Creates Innovative Color Pipeline for The Immortals | Below the Line

skyrim

I was stacking books on a shelf in my house in Whiterun, one of Skyrim's major cities, when I noticed a weapon rack right beside it. I set a sacrificial dagger in one slot, an Orcish mace in the other. They were on display for nobody but me and my computer-controlled housecarl, Lydia, who sat at a table patiently waiting for me to ask her to go questing. [{#wordpress.wp_more_alt}] The chest upstairs was reserved for excess weapons and armor, the bedside table for smithing ingots and ores, the one next to the Alchemy table for ingredients. I'd meticulously organized my owned virtual property not because I had to, but because tending to the minutia of domestic life is a comforting break from dealing with screaming frost trolls, dragons, a civil war, and job assignments that never seem to go as planned. It's even a sensible thing to do; a seemingly natural component of every day existence in Skyrim, one of the most fully-realized, easily enjoyable, and utterly engrossing role-playing games ever made.

Part of what makes it so enjoyable has to do with how legacy Elder Scrolls clutter has been condensed and in some cases eliminated. In Skyrim, there's no more moon-hopping between hilltops with a maxed out Acrobatics skill. That's gone, so is Athletics. The Elder Scrolls V pares down the amount of skills and cuts out attributes like Endurance and Intelligence altogether. There's no time wasted on the character creation screen agonizing over which skills to assign as major. You don't assign major and minor skills at all, but instead pick one of ten races, each with a specific bonus. High Elves can once a day regenerate magicka quickly, Orcs can enter a berserk rage for more effective close-range combat. These abilities are best paired with certain character builds – the High Elf regeneration is useful for a magic user – but don't represent a rigid class choice. Major decisions don't need to be made until you're already out in the world and can try out magic, sneaking and weapon combat, emphasizing first-hand experience over instruction manual study, letting you specialize only when you're ready.
 Watch the Skyrim Video Review

It contributes to the thrilling sense of freedom associated with life in Skyrim. Do a quest, kill a dragon, snatch torchbugs from the air, munch on butterfly wings or simply wander while listening to one of the best game soundtracks in recent memory. Despite the enormity of the world and the colossal amount of content contained within, little feels random and useless. Even chewing on a butterfly wing has purpose, as it reveals one of several alchemical parameters later useful in potion making at an alchemy table. Mined ore and scraps of metal from Dwemer ruins can be smelted into ingots and fashioned into armor sets, pelts lifted from slain wildlife can be turned into leather armor sets, and random books plucked from ancient ruins can trigger hidden quest lines that lead to valuable rewards. Skyrim's land mass is absolutely stuffed with content and curiosities, making every step you take, even if it's through what seems like total wilderness, an exciting one, as something unexpected often lies just over the next ridge.

Many times the unexpected takes the form of a dragon. Sometimes they're purposefully placed to guard relics, sometimes they swoop over cities and attack at seemingly random times. In the middle of a fight against a camp of bandits a dragon might strike, screaming through the sky and searing foe and friendly alike with frost or flame. Momentarily all on the battlefield unite, directing arrows and magic blasts upward to knock down the creature, creating impromptu moments of camaraderie -- a surprising change from what may have been yet another by-the-numbers bandit camp sweep. Dragons show up often, their presence announced by an ominous flap of broad wings or an otherworldly scream from high above. The scale and startling detail built into each creature's appearance and animations as it circles, stops to attack, circles again and slams to the ground makes encounters thrilling, though their predictable attack patterns lessen the excitement after a few battles. In the long run they're far less irritating than the Oblivion gate equivalent from The Elder Scrolls IV, can be completed in a few minutes, and always offer a useful reward.

PC Version Gameplay Commentary Video

Killing a dragon yields a soul, which powers Skyrim's new Shout system. These are magical abilities any character can use, you don't have to specialize in spell casting to slow time, throw your voice, change the weather, call in allies, blast out ice and fire, or knock back enemies with a rolling wave of pure force. Even if you favor sword, shield and heavy armor and ignore magic entirely, you'll still be able to take full advantage of these abilities provided you find the proper words – each Shout has three – hidden on Skyrim's high snowy peaks and in the depths of forgotten dungeons, serving as another reason to continue exploring long after you've exhausted the main quest story, joined with the Thieves Guild, fought alongside the Dark Brotherhood, or thrown your support behind one of the factions vying for control of Skyrim.

Not only is this land under assault by dragons, long thought to be dead, it's also ripped in two by civil war. You can choose one side or the other, but so much of the allure of Skyrim is how, even outside of the confines of quest lines, the embattled state of the world is evident, and steeped in a rich fictional legacy. Lord of the Rings this is not, but with the release of every Elder Scrolls game, the fiction becomes denser, and the cross-referencing for long-time fans all the more rewarding.

Skyrim's residents are all aware of current events. They'll comment on the civil war, some sympathizing with the rebels, others thinking the establishment sold its soul. The peasants complain about the Jarls who control each settlement, the Jarls complain about the rebels or foreign policy, the overprotective College librarian complains when I drop dragon scales all over his floor; many characters feel like whole, distinct personalities instead of vacuous nothings that hand out quests like a downtown greeter hands out flyers for discount jeans. Characters stereotype based on race, they double-cross at even the slightest hint it might be profitable, and they react to your evolving stature within the world. It makes a ridiculous realm, filled with computer-controlled cat people and humanoid reptiles, demon gods and dragons, feel authentic, like a world that existed long before you showed up and will continue to exist long after you leave.

immortals

If it's a crime to sit back and enjoy a film for what it is simply because you're an educated film buff, then I should probably be serving a life sentence in Guantanamo Bay. Throughout the years, I've sat through some of the dumbest films to ever grace the screen and still walk out with a smile on my face. Call them guilty pleasures or call me crazy (I don't care which), but I'm not exactly difficult to entertain. To satisfy completely? Yes, but not to entertain. Enter Immortals, the new special effects orgy from the producers of 300 and starring Superman-to-be Henry Cavill, a film that's tone deaf, but propulsively entertaining.

Taking three Greek mythology stories and mixing them into a single film, Immortals follows Theseus, a peasant chosen by the Gods to lead an army against the evil King Hyperion, a tyrant bent on unleashing the Titans from the depths of Mt. Tartarus and thus, declaring war on the heavens.

It's rare for a film to be able to balance out being one of the best films of the year, as well as one of the worst, but Immortals manages to pull it off effortlessly. It's home to some of the most spectacular visual effects seen on camera this year, some fine performances from it's rising stars, and tremendous action pieces. However, it's also home to one of the most underwritten and poorly conceived screenplays of the year and a story so haphazardly strung together, it makes Clash of the Titans (both versions I might add) look like The Lord of the Rings. Does that make it a tough sit? Not if you're willing to embrace its stupidity and relish in the carnage for little more than ninety minutes.

I'm relatively unfamiliar with director Tarsem Singh (and after that Mirror, Mirror trailer, I'm not sure I want to be), but from what I understand, his sophomore effort The Fall is a near masterpiece. Well, either that film has an infinitely better screenplay or it was his passion project because he's absolutely clueless here. The entire story is thrown together with the cohesiveness of a Bud Light commercial. For the first half of the film, nothing makes sense. A premise is brought to fruition revolving around a mythical bow that shoots energy-flared arrows, but its origins and purpose is never explained. It's simply there to provide the hero with a quest and the villain with a target. Plus, the characters have no charisma.......at all. And because of that, the first half of the film is, quite frankly, just flat-out boring, devoid of any real purpose or excitement.

Now, let's place that little rant aside and talk about the goods. And by that I mean the incredible blending of sets and CG locations, the intricate costume designs, and the beautiful action sequences. Singh may be slack with story, but the man is undeniably a cinematic artist, rivaling even Zack Snyder (who's a better director, but you know what I mean). His camera work is flawless, his timing perfect, his choreography breathtaking, and his sun-baked color palette magnificent. Let this be advice to future directors who find themselves with a script as bad as this one. Take Singh's path and abandon the story in the third act and deliver the bloody goods. It'll at the very least make up for the sluggish build-up. It did for me anyways. The final showdown between the Gods and Titans has to be one of the most entertaining bloodbaths I've seen since the producers' own 300. It alone is worth the price of admission.

The performances are much better. Fear not Superman fans, Henry Cavill is perfectly fit to don the cape. Here, he displays the amount of intensity to make his one-dimensional character shine when he needs to and conjures up just enough emotion to make Theseus likable. Mickey Rourke, on the other hand, steals the show as King Hyperion and shows off his inner barbarian that never quite escaped in Iron Man 2. If there were an Oscar category for best villain, he would certainly be in the running. Luke Evans, though somewhat channeling his doppelganger James McAvoy, makes for a solid Zeus, though not as fierce or intimidating as Liam Neeson. Frieda Pinto is, well, hot. She isn't given much to do, so at least she works as eye-candy, and John Hurt, brief as his role is, isn't useless.

Whenever the fighting isn't onscreen, Immortals is a near-unbearable slog. But whenever things heat up it transforms into one of the best spectacles of the year. Whether you feel the urge to experience it is your choice, but should you choose to invest in a ticket, make sure your brain is off and your popcorn bag heavy. It's the only way to walk away happy.

immortals

The gods of ancient Greece have extended their rule to the weekend box office with a No. 1 debut for the action tale “Immortals.’’ The story of Greek hero Theseus took in $32 million domestically, while Adam Sandler’s comedy “Jack and Jill’’ opened at No. 2 with $26 million, according to studio estimates yesterday. The new movies bumped the animated hit “Puss in Boots’’ to the No. 3 spot after two weekends at the top. “Puss in Boots’’ earned $25.5 million, raising its domestic total to $108.8 million. Director Clint Eastwood’s “J. Edgar,’’ a film biography starring Leonardo DiCaprio as longtime FBI boss J. Edgar Hoover, played in narrower release and opened at No. 5 with $11.5 million.

We are family

"It's just really a great experience to enjoy feeling like an equal on the set and that it's not a machine, it's a family." - Kellan Lutz, "Twilight" actor, to the Hollywood Reporter, about his new hit, "Immortals."

Read more on: ‘Immortals’ wins weekend box office - Arts - The Boston Globe

(Reuters) - Bollywood actress Aishwarya Rai Bachchan has given birth to a baby girl, her husband Abhishek Bachchan announced on Twitter on Wednesday.

Aishwarya Rai Bachchan has baby girl

While the baby's father just said "it's a girl", her proud grandfather Amitabh Bachchan -- a veteran actor and head of Bollywood's most famous family -- could barely contain his joy.

 

"I AM DADA (grandfather) to the cutest baby girl!!" the 69-year-old Bachchan tweeted.

 

No further details were immediately available.

 

Rai, 38, a former Miss World, has been married to actor Abhishek Bachchan for more than four years and the star couple had been fending off baby rumours for months before the pregnancy was confirmed in June.

 

The Bollywood actress had been expected to give birth to her first child in November, and the Indian media followed her pregnancy obsessively.

 

She was admitted to a Mumbai hospital on Monday night.

 

Rai, who often features on "most beautiful" lists, won the Miss World crown in 1994. She went on to build a successful Bollywood career with hits such as "Hum Dil De Chuke Sanam" and "Devdas".

 

She has also worked in Hollywood films such as "The Pink Panther 2" and is a regular at the Cannes film festival.

 

This is the third grandchild for Amitabh Bachchan. His daughter Shweta has two children.

 

(Writing by Tony Tharakan, editing by Elaine Lies and Ed Lane)

More on: Aishwarya Rai Bachchan has baby girl | Reuters

Friday, November 11, 2011

zinga employees

If you work for Zynga, now is a good time to quit.

And if you’re a Zynga employee who owns company stock, you might want to get a good lawyer.

The Wall Street Journal reports (via CNET) that Zynga execs have been telling its employees that it wants them to return their stock options before the company’s IPO. The reasons are silly and insidious. When speaking to employees, Zynga argues that it wants the shares back to make the company look more attractive to future talent. Behind the scenes, Zynga is apparently trying to avoid a scenario in which some of its lower-level employees become millionaires because they own a piece of the company.

In other words, GREED, GREED, GREED! Zynga doesn’t care about its employees. It doesn’t care about future talent. It only cares about its own bottom line. Its chief executive, Mark Pincus, has admitted to doing “every horrible thing in the book” to get revenues. So why should employees believe him now when he says he’s only thinking of the company’s future?

They shouldn’t. We know better. The truth is that Zynga is and always has been a greedy, questionable firm with a weak business plan and a lackluster distribution model. As someone who has been reporting on the game industry for more than 10 years (and watching it with a close eye for many years before that), I know how this market works. It has always been competitive. But what few seem to realize is that it has never thrived on fads.

(Check out Benzinga’s full line of professional investing services here.)

Thus, I’ve been predicting Zynga’s demise for quite some time. Early this fall, the company’s profits declined by roughly 95%. There have been numerous reports that the social game developer is cannibalizing its own market by releasing new games that steal players away from older Zynga titles. I find that revelation particularly amusing. While social games require consistency (players must return often and spend money regularly for Zynga to profit), traditional video games do not.

If every single one of the 6.5 million people who purchased Call of Duty: Modern Warfare 3 stopped playing right now, it wouldn’t matter because Activision has already made its money. With Call of Duty, consumers paid for the game up front. Map expansions and other online goodies are secondary.

Thus, if Modern Warfare 3′s buyers decided to start playing another Activision game instead, the company will continue to thrive. No cannibalization takes place. While a decline in Call of Duty play time today could certainly hurt Activision’s bottom line with the next Call of Duty release (scheduled for – wait for it – November 2012), the company has a full 12 months to ensure that doesn’t happen.

Zynga, on the other hand, does not have 12 months. It does not have a cash cow to carry it through the bad times that are surely ahead (and, looking at the numbers, may have already arrived). It does not have a big, all-powerful franchise with a diehard fan base that will ignore the incoming competition from Electronic Arts (NASDAQ: ERTS). Zynga does not have any of that. Simply put, Zynga builds time-killers, not franchises. And it sells those time-killers to a group of people who will pack up and leave the instant another fad catches their attention.

The same cannot be said for Activision (a company that does build franchises), which is why Battlefield 3 won’t beat Call of Duty, even if it is one of the most impressive games of the year.

Read more at: Zynga is Greedy Game Industry Scum, Steals from Employees to Help Bottom Line - Forbes

ashley madison ad

Imagine this: While perusing the morning paper over a cup of coffee, you spot an advertisement that features a photo of you, in which you’re scantily clad. The ad is for an extramarital affair website. And your body is being referred to as scary.

That nightmarish scenario recently became a reality for a woman who spotted her photo in an ad for Ashley Madison, a dating site that facilitates affairs. In the photo, the size 32 woman is lying on her stomach, wearing black and pink lingerie. The text reads: “Did your wife scare you last night?”

The woman – who identifies herself as “Jacqueline” – wrote to the website Jezebel to share her side of the story. A plus-sized model who runs a website tailored to those who like heavier-set women, Jacqueline says she was unaware that the photo would be used in the ad, which was recently published in New York’s Metro newspaper.

Jacqueline says she posed for the photos years earlier, with a photographer who she believed would sell the photos to people wanting them for their personal use. “I had no idea that the photographer would endeavour to sell the photos to corporations and/or stock photo companies, who would then go on, repeatedly, to use them in rude and mocking ways.”

On Tuesday, Ashley Madison published a second ad using Jacqueline’s image. In the new ad, a slender woman dressed in a similar outfit is featured above Jacqueline. Next to her, a green checkmark. Next to Jacqueline, a red X. The ad reads: “We call it as we see it.”

After Jezebel published Jacqueline’s letter, the website received a response from Ashley Madison chief executive officer Noel Bide man. “The best thing that could've happened to this woman is that we used her in our ad,” he writes. “Despite what she may want you to think, she is reaping the press for her own pornography website.”

Jacqueline says that for her, the issue lies with the mocking tone of the ad and the nature of Ashley Madison’s business. “I am mortified that my image and likeness would be used as advertisement for two things I am so vehemently against: namely cheating and … body shaming,” she says.

“A size 2 woman who sees this ad sees the message: ‘If I don't stay small, he will cheat.’ A size 12 woman might see this ad and think ‘If I don't lose 30 pounds, he will cheat.’ ”

ladt gaga mtv

BELFAST - Lady Gaga stole the show at the MTV Europe Music Awards in Belfast on Sunday, scooping four prizes and going one better than 2010 when she also led the field with three.

The flamboyant 25-year-old New Yorker won best female, best song and video for her hit single "Born This Way" as well as the biggest fans award.

"I knew that this song was very special when I wrote it and I just didn't know when I first started out ... how special you would all be to me," a tearful Gaga told a packed, boisterous Odyssey Arena as she accepted the best song award.

"This is the single most important song that I've ever written and the single most important album. I love you little monsters to the end!" she added, using the term she employs to describe her fans.

Canadian teen sensation Justin Bieber was among the other multiple winners, picking up best pop act and top male singer.

Much of the attention in the run-up to the awards has been on the 17-year-old, who has denied allegations made by a US woman that he fathered her child when he was 16.

Accepting the second of his awards, he said: "There's been a lot of crap talked about me lately, but I've pulled through!" according to MTV.

Bieber's girlfriend Selena Gomez, an actress and singer, hosted the MTV event, and the pair were photographed out the previous night in the city in a public show of togetherness.

She also told Katy Perry during the show "I think he's cute!"

Los Angeles rockers Thirty Seconds to Mars won two awards -- best alternative act and best world stage -- as did Bruno Mars, honoured as the best new act and "push" artist who was promoted by MTV as an up-and-coming talent.

Perry was voted best live act, Eminem won best hip-hop artist, repeating his 2010 success, and Linkin Park scooped best rock. More than 150 million MTV viewers voted and decided most of the categories.

Read more at: Lady Gaga steals show at MTV Europe Awards...again

call of duty mw3

Modern Warfare 3 features a variety of different multiplayer weapons that can be customized with attachments, proficiencies and camouflages. Each weapon in MW3 has to be leveled up to unlock their specific upgrades. Once a weapon has been fully leveled up, it will unlock the golden camouflage for that specific weapon.

Weapon proficiencies give additional benefits, for example, once the Attachments proficiency has been unlocked, it allows you to equip two attachments to one primary weapon.

You can choose one primary and one secondary weapon for your class loadout.

For more info, check out :Call of Duty: Modern Warfare 3 | MW3 - Weapons List

tilt and visualise web page 3d

Tilt is a Firefox addon that lets you visualize any web page in 3D. A new update is available, coming with more developer-oriented features. Try the addon.

Since the first alpha version of Tilt was announced (a Firefox extension focused on creating a 3D visualization of a webpage), a lot of work has been done to add a great number of developer-oriented features. These focus on debugging the structure of a webpage, inspecting styling and attributes for each node and seamlessly refreshing the visualization when the DOM structure changes or after contents of document are repainted.

Solve nesting problems

Tilt is useful when searching problems in the HTML structure (like finding unclosed DIV elements for example) by providing the extra third dimension, layering each node based on nesting in the DOM tree. Stacks of elements visually represent branches in the DOM, and each node can be inspected for the inner HTML contents, its computed CSS style and the attributes.

Clicking anywhere on the visualization highlights a color-coded rectangle surrounding the corresponding node. Double click shows up the source preview for that node. Tilt also tries to show the most relevant information when needed (one is most likely to inspect the attributes of an input, button or image element, for example, but can easily switch between HTML, CSS and attributes view at any time).

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